Dear JB. I wonder if you have had been given any scripts/breakdowns or instructions which were impossible to follow. I have drawn a simple example of what I mean. In the example if a guy should build the house pictured, he will find it impossible. Have you gotten instructions in a similar way that you found impossible to follow in one way or another, not restricted to bulidings? In that case, what did you do?

Some samples from my own recent experience:

• I was asked to draw Hakwman flying between the legs of a normal sized standing man WITHOUT KNOCKING HIM OVER

• I was asked to draw Hawkman frowning, with his mask/helmet on

• I was asked to draw Hawkgirl with heavy shadows under her eyes, with her mask/helmet on

• I was asked to have the "camera" TRACK (ie, move) to follow the action in a single panel

• Repeatedly I have been asked for back-and-forth conversations between characters in a single panel or…

• …art descriptions that set up Character A on the right, Character B on the left, and then have Character A speak first. Also…

• …art descriptions which place a character with his/her back to the camera when a facial expression is called for

• …art descriptions which call for actual movement of a character or characters within a single panel

• …characters sitting around a table, speaking A B C D E in the first panel, then E C B D A in the second, B A E D C in the third, and so on…

In each case, this resulted in a call to the editor, in which I basically said "I'm going to draw something that actually works. Be sure you fix the script to match."

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Downturned corners of the mouth. Is he angry? Is he sad? Did he just eat something sour?

There's more to a frown than the shape of the mouth. But, you knew that.

The first HAWKMAN piece to me looks more like he is "content" or maybe looking "angelic".  It is hard to say without seeing the eyes that is for sure.

Even though it is another wonderful Kubert example.