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Topic: OT: Modern comics and modern coloring. (Topic Closed Topic Closed) Post ReplyPost New Topic
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Eric Russ
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Posted: 02 August 2010 at 3:18pm | IP Logged | 1  

I believe the images that Joe posted above are both computer colored.

The one on the right is a bit overdone to me because the highlights makes my eye journey, rather than giving the piece focus.
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Joe Hollon
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Posted: 02 August 2010 at 3:44pm | IP Logged | 2  

Computer coloring is just like CGI in modern movies.  It's a valuable tool that artists should not deny themselves access to.  However, when using the tools it is important to realize that just because you can do something doesn't mean you should.

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Eric White
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Posted: 02 August 2010 at 4:10pm | IP Logged | 3  

Yes...... like making cloth shiny!! 
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Martin Redmond
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Posted: 02 August 2010 at 4:35pm | IP Logged | 4  

I don't like Dave Stewart's colour combinations at all. It seems like they're constantly clashing and there's never any feeling that any visual plane is in front or behind one another.

I prefer flat tones, and a nice palette that works together. Some shading is okay. I don't mind. But I like flat for inked art the best most of the time.



Edited by Martin Redmond on 02 August 2010 at 4:41pm
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Brian Peck
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Posted: 02 August 2010 at 4:47pm | IP Logged | 5  

Joe,
I agree with you. Too many so called "colourists" don't know the first thing about colour theory. Most times the colouring over powers the rest of the art and that isn't what should be happening. A colourist should compliment the inked or penciled (too many times a colourist turns a pencil only page to mud) not over power them
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Tim Farnsworth
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Posted: 02 August 2010 at 4:49pm | IP Logged | 6  

I have to confess, I've never heard anyone express dislike for Dave Stewart's coloring. Maybe you're talking about another Dave Stewart, though. An evil Dave Stewart.
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Wallace Sellars
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Posted: 02 August 2010 at 6:23pm | IP Logged | 7  

It seems like they're constantly clashing and there's never any feeling that
any visual plane is in front or behind one another.
---
Martin, would you post a sample or two?
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Chad Carter
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Posted: 02 August 2010 at 7:16pm | IP Logged | 8  

 

Those Grummett pencils are ruined by all that glossy whatever it is going on.

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Mike Norris
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Posted: 02 August 2010 at 7:19pm | IP Logged | 9  

Yes...... like making cloth shiny!! 

**********************************************

And skin!

And leather!

And sand!

And grass!

And cardboard!

 

 

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Chad Carter
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Posted: 02 August 2010 at 7:20pm | IP Logged | 10  

 

The rest of the world thinks older comic book fans are fogeys. We "don't know what's good" because we're "too stuck in the past."

The reason pencils, scripts, inking, coloring, and lettering in comics exist is because fogeys when young loved the comics they read growing up.

The reason pencils, scripts, inking, coloring and lettering changed into what it is now is because all those young fogeys became older, bored anarchist professionals within the medium. Bored being the operative word, thus the need to "change" what worked for decades before all that innovation.

 

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Paulo Pereira
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Posted: 02 August 2010 at 7:29pm | IP Logged | 11  

"Jean, you are wicked cool"?

Did Rogue absorb the psyche of a Bostonian?
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Brian Miller
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Posted: 02 August 2010 at 8:07pm | IP Logged | 12  

Where's Carol Danvers from?
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