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Dan Avenell Byrne Robotics Member
Joined: 06 March 2008 Posts: 1038
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Posted: 14 May 2012 at 5:53am | IP Logged | 1
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The BBC broadcast a British version of The Apprentice.. this week's exercise was selling "urban art".
One of the artists was a fellow called James Jessop, producing work like this. "Raising Hell" which sell for thousands.
You may recognise it from this Silver Sufer panel by John Buscema.
Here's another piece of his work, 'Demonology'
No mention that it just (a badly-painted) version of The Creature From The Black Lagoon.
His TV exposure has led to a few other people spotting where he has stolen images from though, so his exposure served some purpose, not that the art scene give a hoot if somebody 'co-opts' someone else's talent without giving credit of course.
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Armindo Macieira Byrne Robotics Member
Joined: 15 October 2006 Location: Portugal Posts: 955
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Posted: 14 May 2012 at 10:02am | IP Logged | 2
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And he thought Abomination's lips were teeth...
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Lars Johansson Byrne Robotics Member
Joined: 04 June 2004 Location: Sweden Posts: 6113
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Posted: 14 May 2012 at 12:14pm | IP Logged | 3
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That is not what we in Europe refer to as an artist. Except for the teeth error and swiped art, which is very bad, the art is not on any art level at all, that's the error you make. It's a PAINTER or a STORYTELLING PAINTER. As such he can exist and be respected if he doesn't steal.
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Ian Penman Byrne Robotics Member
Joined: 20 September 2007 Location: United Kingdom Posts: 469
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Posted: 14 May 2012 at 5:04pm | IP Logged | 4
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Jessop's swipes didn't do him (or the Apprentice team) any good; they didn't manage to sell any of his work. The explanation given was that it was too big for most living rooms!
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Eric Smearman Byrne Robotics Member
Joined: 02 September 2006 Location: United States Posts: 5798
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Posted: 14 May 2012 at 5:43pm | IP Logged | 5
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The only way I'd even consider being okay with this kind of thing is if the original artist gets his due credit and a cut of whatever the new piece sells for.
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Eric Ladd Byrne Robotics Member
Joined: 16 August 2004 Location: Canada Posts: 4506
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Posted: 14 May 2012 at 5:44pm | IP Logged | 6
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How nice would it have been to see someone familiar enough with comics to recognize the panel and call it plagiarism on camera? Unfortunately, it is very obscure and I doubt I would recognize it.
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Mike Benson Byrne Robotics Member
Joined: 04 January 2010 Location: United States Posts: 811
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Posted: 14 May 2012 at 7:46pm | IP Logged | 7
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Jesus. I think I could do that.
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Charles Tyus Byrne Robotics Member
Joined: 14 September 2004 Location: United States Posts: 506
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Posted: 14 May 2012 at 9:05pm | IP Logged | 8
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One word...hack.
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Paul Lloyd Byrne Robotics Member
Joined: 04 May 2004 Location: Wales Posts: 486
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Posted: 15 May 2012 at 8:42am | IP Logged | 9
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Yeah, there were plenty of swipes in his work - Gene Colan, Mike Ploog... The worst one I spotted was a copy of this Glen Orbik painting.
...with the others he was at least re-arranging the elements of other people's work, so there's a tiny degree of originality. But this just seems like a direct copy. It's so blatant I wonder whether he's not a real artist, but a ringer planted by the show's producers. Or maybe he thinks he's making an ironic post-modern comment about Roy Lichtenstein and Pop Art. Or something.
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Eric Ladd Byrne Robotics Member
Joined: 16 August 2004 Location: Canada Posts: 4506
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Posted: 15 May 2012 at 8:46am | IP Logged | 10
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Isn't there an organization that goes after this kind of stuff when artist work is appropriated and not credited?
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Ian Penman Byrne Robotics Member
Joined: 20 September 2007 Location: United Kingdom Posts: 469
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Posted: 15 May 2012 at 8:58am | IP Logged | 11
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ACID .....Anti Copying In Design.
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Robbie Parry Byrne Robotics Member
Joined: 17 June 2007 Location: United Kingdom Posts: 12186
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Posted: 15 May 2012 at 12:27pm | IP Logged | 12
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So wrong. Has this made news anywhere?
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