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Topic: Hi Ya! - 08.28.2014 Post ReplyPost New Topic
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John Byrne
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Grumpy Old Guy

Joined: 11 May 2005
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Posted: 02 September 2014 at 10:03am | IP Logged | 1 post reply

Today's generation of artists love photo-referencing - sucking the life and dynamics of comic art - two qualities that separated it from photography. Many also love using too much shadows and contrast just to waste everyone's time that they got the light source perfect.

••

When the camera was invented, it came as a real wake-up call to artists everywhere. Suddenly "anybody" could do what they did -- create a realistic vision of the world.

Almost immediately, so-called "Modern Art" was born. Impressionism. Abstraction. Cubism. Artists looked for ways to still be relevant, to still have something to say.

In an odd reversal of this, in the past twenty years or so we have see the American comic book become less about stylization and energy, and more about "realism." And, of course, when it walks into that arena, it is dead out of the gate. Movies can do what these artists think they're doing, bigger, louder, and "better."

The job of an artist -- even a "realist" -- is to do what the camera CAN'T do.

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Charles Valderrama
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Joined: 16 April 2004
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Posted: 02 September 2014 at 11:48am | IP Logged | 2 post reply

The job of an artist -- even a "realist" -- is to do what the camera CAN'T do.
•••••

Exactly!!! I'll take DYNAMIC comic book art over a realistic style in almost every instance… wish there were more of it in books today!

-C!
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Jason Schulman
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Posted: 02 September 2014 at 1:52pm | IP Logged | 3 post reply

The one exception might be the "widescreen" style of Bryan Hitch in The Authority and The Ultimates, which deliberately imitates big-budget action movies.

The funny thing about the photorealist trend is that 20+ years ago, when Rob Liefeld and Todd McFarlane were at their most popular, they were about as far from "realism" as one could get. It's as if comics artists said "OK, that stuff was awful, so let's go as far in the other direction as we possibly can."

Overcompensation, methinks.
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John Byrne
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Grumpy Old Guy

Joined: 11 May 2005
Posts: 132234
Posted: 02 September 2014 at 2:01pm | IP Logged | 4 post reply

The funny thing about the photorealist trend is that 20+ years ago, when Rob Liefeld and Todd McFarlane were at their most popular, they were about as far from "realism" as one could get. It's as if comics artists said "OK, that stuff was awful, so let's go as far in the other direction as we possibly can."

•••

More like they said "We've driven away all the kids, so it's time to produce pretentious twaddle that will appeal to the 40-somethings who are embarrassed to still be buying comic books."

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Jason Schulman
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Posted: 02 September 2014 at 9:48pm | IP Logged | 5 post reply

I can handle "pretentious twaddle" as long as it's artistically ambitious. Most of what's produced in today's superhero comics is certainly Not That.
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Stéphane Garrelie
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Joined: 05 August 2005
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Posted: 12 September 2014 at 1:00pm | IP Logged | 6 post reply

Pretty cool!
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