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Stephen Robinson Byrne Robotics Member
Joined: 16 April 2004 Location: United States Posts: 5835
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Posted: 14 January 2016 at 1:22pm | IP Logged | 1
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Gil Kane was an amazing comic book artist. I recently re-read some of his early '80s run on ACTION COMICS, and it's quite a jolt to the system (much like the JGL issues of SUPERMAN). No offense to Curt Swan -- but the layouts and design were from a different universe. Perhaps that universe was MARVEL or what we think of as the MARVEL style. I recall fans complaining in the letters pages -- ranking Kane with Jack Kirby or Steve Ditko (but not FAVORABLY!).
Was there really such a dividing line between DC/MARVEL? If so, it makes it all the more impressive how so many Marvel artists revitalized DC in the mid-to- late '80s.
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Josh Goldberg Byrne Robotics Member
Joined: 25 October 2005 Location: United States Posts: 2065
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Posted: 14 January 2016 at 3:10pm | IP Logged | 2
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I loved all those DC covers he did in the early Eighties!
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Joe Hollon Byrne Robotics Member
Joined: 08 May 2004 Location: United States Posts: 13681
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Posted: 14 January 2016 at 4:08pm | IP Logged | 3
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The only page of original art I ever bought is a Gil Kane page from AMAZING SPIDER-MAN #150
*********
Let's see it, Eric!
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Robert Cosgrove Byrne Robotics Member
Joined: 16 January 2005 Location: United States Posts: 1710
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Posted: 14 January 2016 at 6:33pm | IP Logged | 4
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One thing that was fun about Gil Kane was the number of layout pages(and practice sketches) that he used as part of his drawing process that eventually found their way into the market (or not so eventually, since Kane himself was selling them during his lifetime). One could study them and get some insights into Kane's thinking, and perhaps some drawing tips.
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Eric Smearman Byrne Robotics Member
Joined: 02 September 2006 Location: United States Posts: 5804
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Posted: 14 January 2016 at 11:59pm | IP Logged | 5
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Let's see it, Eric!
Sadly, I don't have it at hand. It's packed away somewhere in my parents' house in West Virginia and I'm here in Las Vegas.
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Joe Hollon Byrne Robotics Member
Joined: 08 May 2004 Location: United States Posts: 13681
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Posted: 15 January 2016 at 4:48am | IP Logged | 6
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I'll show off my Kane page:
This page fell into my lap at a price I couldn't refuse. I felt it has a lot of the Gil Kane traits we are all praising in this thread. One of the prize pieces in my collection for sure.
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Marc Cheek Byrne Robotics Member
Joined: 18 June 2014 Location: United States Posts: 1785
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Posted: 15 January 2016 at 5:32am | IP Logged | 7
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That's a fantastic page Joe!
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Eric Sofer Byrne Robotics Member
Joined: 31 January 2014 Location: United States Posts: 4789
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Posted: 15 January 2016 at 6:52am | IP Logged | 8
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Mr. Byrne, you're in the biz, so you might know; how much of the Silver Age Gil Kane was his pencilling, and how much was the inker? As noted, his layouts were tremendous and dynamic, no doubt - but as time passed, Mr. Kane's work seemed to get a touch sloppier... the lines didn't seem as tight and there seemed to be extraneous touch ups. Again, I'm not a pro, and you are - any ideas on this? (As a tangent, I also thought I saw the same sort of thing with Don Heck's art... which may just make me a critical reader, but still.)
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John Byrne
Grumpy Old Guy
Joined: 11 May 2005 Posts: 132438
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Posted: 15 January 2016 at 7:26am | IP Logged | 9
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Mr. Byrne, you're in the biz, so you might know; how much of the Silver Age Gil Kane was his pencilling, and how much was the inker?•• From what I have seen, Kane did what today would be called tight breakdowns. Much like Silver Age Kirby. All the details the inker needs, but without the spotting of blacks or the adding of textures.
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Brian Miller Byrne Robotics Member
Joined: 28 July 2004 Location: United States Posts: 30924
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Posted: 15 January 2016 at 8:37am | IP Logged | 10
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As a kid, I really didn't like Kane at all. However, he was probably the first artist where I could recognize his work from book to book. Didn't like his faces and really just didn't care for his work overall.
I grew up. He's easily in my top 5 comic artists. I can't get enough of his stuff. I've been trying to find an affordable copy of HIS NAME IS... SAVAGE for years.
Edited by Brian Miller on 15 January 2016 at 8:39am
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John Byrne
Grumpy Old Guy
Joined: 11 May 2005 Posts: 132438
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Posted: 15 January 2016 at 8:47am | IP Logged | 11
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As a kid, I really didn't like Kane at all. However, he was probably the first artist where I could recognize his work from book to book. Didn't like his faces and really just didn't care for his work overall. •• I would have to check the exact chronology, but Gil's was probably the second name I knew, when it came to comicbook artists. The first, if we consider that the "Bob Kane" I admired was actually an uncredited Dick Sprang. In those days before credits, one had to recognize artists by their styles, mostly, but writer Gardener Fox would usually have a little open book graphic on the first page of his story, listing his name and the penciller's. It was from this that I learned Gil's name, and later Joe Kubert's. (I was able to deduce that Fox was the writer since there was such a radical change in the art when the second name was different!)
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Trevor Smith Byrne Robotics Member
Joined: 21 September 2006 Location: Canada Posts: 3524
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Posted: 15 January 2016 at 10:08am | IP Logged | 12
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Oh man, that top panel of Joe's page...
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