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Wallace Sellars
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Posted: 28 August 2016 at 8:32am | IP Logged | 1  

When I think of powerful comicbook punches, this image always comes to
mind.



Many of you know I have a fondness for the Sub-Mariner, and consider him an
underrated character. I am sure that is a part of why this image so appeals to
me. There is also Jack Kirby's oft' used technique of having the striker's hand,
upon impact, disappear into a flash of white light! Other artists have used this
practice, but I associate it with the King more than anyone else. This "trick" -
combined with flying debris, speed lines and a sound effect conveys a sense
of power that I don't often see in modern comics.

What makes a punch powerful for you?

* On an unrelated note, I bounce back and forth between using "comicbook"
and "comic book" here on the forum. I favor the former since seeing the words
apart seems to imply a humorous book; however, autocorrect insists upon the
latter. Instead of starting a new thread for what may be a simple question, I'll
simply ask here. Which do you favor?

** Ack! I do it with "speedlines" and "speed lines" as well.

Edited by Wallace Sellars on 28 August 2016 at 8:33am
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Robbie Parry
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Posted: 28 August 2016 at 8:39am | IP Logged | 2  

What makes a punch powerful for you?

***

The sound effects play a part. If they sound like they've come from a really powerful punch, that works for me! 

+++

Which do you favor?

***

I tend to just use the word comic, but comic book works for me, given the respect I have for the industry and its characters. I know journalists, and others, might use "comic book" as a pejorative, but they aren't tainting a word/form of entertainment that I really like. :)

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Doug Centers
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Posted: 28 August 2016 at 9:41am | IP Logged | 3  

"What makes a punch powerful for you?"

...

The punches that impress me the most have a combination of the right sound and the distance the recipient is launched;


Image result for avengers 165

"Which do you favor?"

...

I've always liked to just say/write  "comic".
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John Byrne
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Posted: 28 August 2016 at 9:53am | IP Logged | 4  

An interesting aspect of the panel Wallace quoted is that it is so powerful even though Namor is not leaning into the punch.

PS, I prefer "comicbook" and "speedlines," even tho my spellchecker wants to change both.

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David Bensette
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Posted: 28 August 2016 at 9:54am | IP Logged | 5  

Poor Jarvis.
Afternoon tea is ruined!
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Michael Penn
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Posted: 28 August 2016 at 10:26am | IP Logged | 6  

I love this punch-panel for sundry reasons.

The art, of course.

These are two powerhouses, who at the time in Marvel were at the top of the most lethal possible punchers. The angle of this whallop, the look on the Hulk's face, the way the Thing is tossed up, over, at the reader. Love it.

But the writing is icing on the Kirby cake for me. Lee's words make this one lively panel come even more to life. I especially love how Lee offers an insight into the power of the punch. That the Hulk managed this mighty blow because he surprised the Thing, that as powerful as this punch is it only halted Ben for a second, that this punch is very much down to earth measured against a bull elephant rather than, say, an aircraft carrier, that smacking the Thing really smarts... even if it's the Hulk offering up the smack. Love all that. To me it makes the power of this punch all the greater. Two titans at battle, but I can grasp what's happening.
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Rich Marzullo
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Posted: 28 August 2016 at 11:19am | IP Logged | 7  

One of the things I've found I enjoy about the way punches are portrayed is in how the artist shows the curvature and motion of the punch, as in this example:


Buscema and Frenz are great at showing this. For me, it adds a certain...OOMPH to the punch being thrown, and makes it look like the punch being thrown has it's own unique speedline.
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Wallace Sellars
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Posted: 28 August 2016 at 11:44am | IP Logged | 8  

Rich, what do you think of the sound effect on that one?
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Joseph Gauthier
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Posted: 28 August 2016 at 11:45am | IP Logged | 9  

Sound effects are important.  Speed lines are essential.  But over all, I tend to be drawn toward those images where the force of the impact seems to defy other visual clues, such as this Barry Windsor-Smith image below-right: the slenderness of Machine Man's frame, and the gracefulness of the motion do not suggest as much force as Iron Man 2020's shattering mask reveals.
Image result for barry windsor smith machine man

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Mark Haslett
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Posted: 28 August 2016 at 11:51am | IP Logged | 10  

That drawing you posted is far more powerful, Wallace, than the one that
comes to my mind when I think "comic book punch" -- the amount of
devastation that Sub-Mariner causes with that punch is underlined in a lot of
ways. It's a great panel.

This is the one I think of and I think it has less going on, but works well as not
just a clearly powerful punch in a fight --but also as a satisfying story-moment.
Bullseye deserves this punch so much and it feels good to see him get it!

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Rich Marzullo
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Posted: 28 August 2016 at 11:56am | IP Logged | 11  

Wallace, simple and effective!
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Wallace Sellars
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Posted: 28 August 2016 at 11:57am | IP Logged | 12  

I think the positioning of both combatants' bodies make that one effective,
Mark. We see Daredevil's fist at the very end of it's swing, and the bend in his
leg and lean of his torso show how much he put into it the strike. Add that to
Bullseye's forced backbend, and you've got a heckuva thwokk!
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