Gah.  I have to confess that when I watched it the other day, I was looking at things like the carpet and ceiling and wall color, etc., while at the same time gawking at the art. I'm less of a figures and collectible guy, but I'm definitely in awe of that aspect of the collection as well.  

The reason I was looking at the physical space was trying to feel it out as a working space - you're famously a guy who can deliver drawing quality AND quantity at a remarkable pace, and I like to look at work process and methods.  How does one of the most successful (by any metric) working cartoonists organize his space so he can actually, you know, work?  I've always found things like size and shape and general environment of the space - including stuff like flooring! - have a lot of impact on my own productivity and the quality of the stuff I've produced. Boiled down: "what magic drawing necktie does JB wear and where can I buy it?!?" or words to that effect.

Sidenote: I didn't comment on the video, though!  And I suspect that the carpet comments there are nothing along these lines...

You get a lot from a straightforward QA.  The half hour I spent with Walt Simonson as a freshman probably gave me more practical process advice than all four years at RISD. Then sometimes there's that extra-textual stuff that you're not even aware is a part of it.

It also makes me want to see what your art looks like when it's still in your head.