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Arc Carlton
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Posted: 26 February 2010 at 11:54am | IP Logged | 1  

Al, you know someone at DC is going to steal that idea now, don't you?

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That's the risk you take  when you share  ideas on line ...

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Al Cook
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Posted: 26 February 2010 at 5:42pm | IP Logged | 2  

" just the fact that she's gigantic size forces you, if you look up, to look up her skirt something super heroes wouldn't want to do. Which is why I thought it an odd choice for her design, sorry if I sound like I was trying to make a dumb joke I seriously wasn't."

Then I misinterpreted.  I was working off your (apparent to me) suggestion that the same was true for real-world, not cartoon-character figure skaters.
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Joakim Jahlmar
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Posted: 26 February 2010 at 6:01pm | IP Logged | 3  

My first introduction to DP was in the pages of The New Teen Titans as a kid... though it was, of course, not a proper introduction, seeing as how most of the team was wiped out at the time.  Still left an imprint on my mind.

My second meeting was with Vertigo post-Morrison DP, odd issues and some stuff that tied in with the Children's Crusade crossover.
And this later led me to pick up Morrison's run; which I enjoy for what it is and which for the longest time was my main source to things DP.

Picked up JB's full run a few years ago and absolutely loved it.  I totally got that it was doing something entirely different that Morrison's "Vertigo" approach and viewed them as separate entities.  I'm still sad that JB's run wasn't longer and that it never included the Brotherhood of Evil – would've loved to see JB's versions of Brain and Monsieur Mallah.
And, though I've not yet read it, I picked up the DP Showcase as soon as it was released, very much because of JB's run.
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Eric Smearman
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Posted: 26 February 2010 at 6:05pm | IP Logged | 4  

Q for JB: what's the story behind the similarity between Staton's design for Robotman and ROG 2000? I've always been curious about that.
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Matthew McCallum
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Posted: 26 February 2010 at 6:20pm | IP Logged | 5  

As a sidebar to Eric's question, I always liked that Staton design (learning much later what it was based on), and thus hoped at some point during John's run on Doom Patrol that we might see a sly reference to it, like a spare body in that shape hanging in the lab or Cliff being offered that re-design by Niles and reacting in horror at being made to look like a cartoon character.
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Greg McPhee
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Posted: 26 February 2010 at 7:06pm | IP Logged | 6  

I liked the Paul Kupperberg Doom Patrol, and the JB DP as well.

The two talents combined on that Secret Origins Annual was a true pleasure.

I have to say that I am enjoying the Keith Giffen revamp. It's a fun comic. Something we don't see a lot of now.

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Eric Smearman
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Posted: 26 February 2010 at 8:18pm | IP Logged | 7  

I enjoyed that Secret Origins story that Kupperberg and JB did together. Too bad they didn't stay together for the subsequent DP series.
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Michael Andrew Gonoude
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Posted: 27 February 2010 at 11:42am | IP Logged | 8  

DAMN!  Why can't DC and M****l get along these days?  Then maybe we could get a one-shot Fantastic Four vs Doom Patrol (by JB, of course - who could be more qualified?) and see how the two teams stack up against each other!
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Chad Carter
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Posted: 27 February 2010 at 12:17pm | IP Logged | 9  

 

I've not cared for Giffen's take. None of the characters are likeable, all reflect the more cynical Morrison and modern DC characterizations and no one that I want to spend several bucks a month to spend any time with.

Giffen has really disappointed with DOOM PATROL. I wish I could say different. I'm still getting it in the hopes of another art team jumping on the book. Giffen has made Larry Trainor into a b*tch, mostly. Robotman is hard to screw up. Rita has no personality whatsoever. And Giffen's Chief is informed by Morrison, the "vile manipulator" angle. Yuck.

Plus, Giffen has decided to color almost all of the DP's current adventures through the Morrison mold. Weird to be weird. As far as JB's take, Giffen already killed off Nudge and had Grunt go insane, so I guess those two characters are done and over.

What I can't understand is WHY there's so much difficulty in finding a direction for the DP. If you read the first, say, thirty-forty stories about the DP by Drake and Premiani, you have everything you need. I didn't care for the later DP, with all the lame jokes of the post-Batman 1960s television show era and Beast Boy and Mento, but prior to that the stories are wonderful DP formula of self-loathing heroes prodded to do the best they can by a focused older genius in a wheelchair. If not for the Chief forcing the DP to get up and try again, they might falter. But they never do, no matter how awful they feel their fate is.

I'd give a testicle to write the DP, if such was the beauty of the world. I'd argue the DP is easier to write than the FF. More internal tension, more blue-collar ethic, more interesting skills. Robotman Cliff Steele is simply my favorite superhero character. He makes Ben Grimm seem like Cary Grant, with half the whining, and I love Ben too. Cliff is essentially the model of human nobility, a man who continues fighting even though his existence is a mockery of "life." Fascinating stuff.

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Eric Smearman
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Posted: 27 February 2010 at 4:15pm | IP Logged | 10  

I'm liking Giffen's take so far.
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Joe Zhang
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Posted: 28 February 2010 at 1:11am | IP Logged | 11  

It's pretty obvious this version of the DP is the one DC wanted to make. It's chock-a-block full of references to all the previous continuities (without explaining how they fit together) It reads like a Grant Morrison™ spin-off. I have no idea why they put JB up to doing a "neo-original" version in the first place. 

Edited by Joe Zhang on 28 February 2010 at 5:26am
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Wallace Sellars
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Posted: 28 February 2010 at 12:11pm | IP Logged | 12  

The first issue of the latest incarnation of the DP was such a disappointment to me, that I never checked out the second or third.  The METAL MEN second feature looked good, but it wasn't enough for me to return.
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