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Topic: What’s in your sketch book? Post ReplyPost New Topic
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Mark Haslett
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Joined: 19 April 2004
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Posted: 20 July 2011 at 11:34am | IP Logged | 1 post reply

Here's one I did just to see a little perspective. Scanning sure is a good way
to make all your mistakes pop out at you, sheesh.


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Carmen Bernardo
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Posted: 21 July 2011 at 8:40am | IP Logged | 2 post reply

I've been keeping myself as busy as possible lately:

     Most nights that I'm at work, I spend the break doing quick little sketches like the one above.  The majority of these are only rough breakdowns for practice with layout and design.  At home, I have a few more hours for more substantial projects, although the pace is still a bit slow for my liking.  I've been relearning a lot of what I once picked up as a young buck stamping the ground in preparation for a comicbook artist career at one time.

     Not all of what I've done lately would be considered "worksafe", though.  Fortunately, I've more or less gotten most of that out of my system and want to work on the dream project a little bit from here on.

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Bill Wiist
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Posted: 22 July 2011 at 12:26pm | IP Logged | 3 post reply

Week 39! Only 13 weeks from wrapping up an entire year! 
Next year, I'm considering doing daily COLOR sketches. It'll be a challenge, but if I can do it, it'll be very rewarding.
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Dale Lerette
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Posted: 23 July 2011 at 9:41am | IP Logged | 4 post reply

Great work everybody! Really good stuff!

JT, do you have any books you suggest for digital colouring? I've been looking to do some more and was wondering if there were any good books out ther eon how to colour in photoshop.

Any other suggestions from others is appreciated too.

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Mike Baswell
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Posted: 23 July 2011 at 4:18pm | IP Logged | 5 post reply

I've begun sketching my attempt at the splash page from X-Men #107. This is by no means the final version.


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JT Molloy
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Posted: 24 July 2011 at 2:20am | IP Logged | 6 post reply

Dale, I had some CD-Rom that showed me the basics awhile back, but it's really just trial and error. I've been doing it a few years and just taught myself a lot or noticed something in a comic and thought of how to replicate it. (I'll give ya some more specific pointers sometime soon!)
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Carmen Bernardo
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Posted: 24 July 2011 at 5:33am | IP Logged | 7 post reply

In response to JT's post,

     In Jasc Paint Shop Pro 9, I've found that creating a background layer set to "Multiply" properties works out best for getting around most digital coloring issues.  In the past, I used to just duplicate the scanned penwork, but I've since created a simple background layer without doing that and found it more useful for coloring.

     The big thing is to lay out "blocks" of color before putting in smaller areas for highlights and shading.  The drawback of duplicating the penwork layer is that doing that multiple times creates a weird "dithering" effect that tends to make using the fill tool pointless.  I generally clean up the work a bit with the color replacement tool before even starting the coloring phase.

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Michael Kane
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Posted: 24 July 2011 at 8:07pm | IP Logged | 8 post reply

those cats eyes by Teod are amazing. ill share a sketch I worked on today. brush and ink

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Flavio Sapha
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Joined: 16 April 2004
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Posted: 24 July 2011 at 9:04pm | IP Logged | 9 post reply

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JT Molloy
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Posted: 24 July 2011 at 10:47pm | IP Logged | 10 post reply

Carmen, I use Photoshop. My process goes: 
-Drawing obviously
-Adjusting contrast/cleaning it up
-Making the drawing layer transparent (removing all the white)
-Laying flat colors TEDIOUSLY as a layer
-Duplicating the flat layer to then use for shading
-Adding a bunch of extra stuff, like glowing, effects, layers for sky backgrounds yadda yadda.
-If I think it calls for it, duplicating the drawing layer and coloring the line art itself.
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JT Molloy
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Posted: 24 July 2011 at 10:58pm | IP Logged | 11 post reply

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Joe Smith
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Posted: 24 July 2011 at 11:51pm | IP Logged | 12 post reply

wow, JT! AWESOME!!!
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