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John Byrne
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Grumpy Old Guy

Joined: 11 May 2005
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Posted: 26 February 2026 at 4:22pm | IP Logged | 1 post reply

Found this comment elsewhere:

“I hate hearing that being fast is why most artist got the job. Makes me wonder if the material could have been better if it was not rushed.”

“Rushed” is a word some fans use to try to sound smart, but the effect is usually just the opposite. As I have noted many times it is impossible to look at a finished piece of art and deduce how long it took to produce. Some artists are fast, some are slow, but which is which is usually not evident in the finished product. A good artist can whip something out in no time, and it will look terrific. A poor artist can labor for hours and produce drek. And the opposite.

For a while, it became something of a mantra for some fans to describe my work as “rushed”—usually with no idea how long it took to draw. A classic example was when DC delayed the release of OMAC (due to a promotional error), resulting in it being released months after it was finished, along with several other johs that had been in the pipeline for a while. A flood of so much all at once clearly indicated I was doing too much, and OMAC was declared “rushed”.

The poster of the above comment made a very basic mistake: “fast” and “rushed” are not automatically interchangeable. Fast can be rushed, but not always.

Decades ago, I penciled an issue of AMAZING SPIDER-MAN, 17 pages, in just under three days. Never have I heard that job called “rushed”, tho it was the very definition of the word. Similarly I did a JLA job that tumbled out of my pencil at a rate of six pages per day. Something else that no one has ever called “rushed”.

Bottom line, it is, again, impossible to tell how fast something was drawn, and being drawn fast is not the same as being rushed.

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Jason Czeskleba
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Posted: 26 February 2026 at 5:12pm | IP Logged | 2 post reply

This reminds me of a story about Mike Sekowsky that was recounted by Mark Evanier here:

You would think an editor would like a fast artist, but there were times when Mike could be too fast for some. At least one editor looked at the pages, shook his head and said, "You're rushing, Mike. Slow down, take your time." So next time, Mike would finish the pages, then hold onto them for a few days before turning them in.  And, of course, the editor would say, "Much better. See what you can do when you take your time?"
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John Byrne
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Posted: 26 February 2026 at 5:22pm | IP Logged | 3 post reply

Learning I drew three pages a day, back in my original time on X-MEN, Shooter asked what would happen if I drew only two pages.

“I’d be finished by noon,” I said.

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Evan S. Kurtz
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Posted: 26 February 2026 at 7:31pm | IP Logged | 4 post reply

Editors sound like any other kind of management I've ever encountered. "I'm here now, so to prove my worth I need to 'fix' something that doesn't need fixing, and call it progress!" 
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John Byrne
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Posted: 26 February 2026 at 7:43pm | IP Logged | 5 post reply

Shooter in a nutshell!!
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Jason K Fulton
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Posted: 26 February 2026 at 9:56pm | IP Logged | 6 post reply

The idea that anyone could look at OMAC and say 'oh yeah, rushed, how long could THAT have taken.' These are not serious people.
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John Byrne
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Posted: 27 February 2026 at 1:45pm | IP Logged | 7 post reply

You would think an editor would like a fast artist, but there were times when Mike could be too fast for some. At least one editor looked at the pages, shook his head and said, "You're rushing, Mike. Slow down, take your time." So next time, Mike would finish the pages, then hold onto them for a few days before turning them in. And, of course, the editor would say, "Much better. See what you can do when you take your time?"

•••

Reminds me of a story Ralph Macchio tells. Shooter one day decided he didn’t like a particular cover, and ordered changes. Since the book was already crowding its deadline, Ralph didn’t really have time to get the changes made. The issue went to to printer as it was.

A few weeks later, Shooter came into Ralph’s office with the finished book. “See? Isn’t this better?”

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Darren Taylor
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Posted: 27 February 2026 at 1:59pm | IP Logged | 8 post reply

- A few weeks later, Shooter came into Ralph’s office with the finished book. “See? Isn’t this better?”

This made me laugh, we have just had this exact conversation here at work today about how we individually work with one particular Producer.
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Brandon Carter
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Posted: 27 February 2026 at 4:48pm | IP Logged | 9 post reply

Decades ago, I penciled an issue of AMAZING SPIDER-MAN, 17 pages, in just under three days. Never have I heard that job called “rushed”, tho it was the very definition of the word. Similarly I did a JLA job that tumbled out of my pencil at a rate of six pages per day. Something else that no one has ever called “rushed”.

*********

Years ago, in AOL's Byrne Ward you confirmed that the issue of AMAZING SPIDER-MAN was issue 206, the Jonas Harrow issue, an issue that holds some sentiment with me, as I believe it is the first issue of AMAZING SPIDER-MAN that I bought off the newsstand (at K&B) *. I received several older issues of AMAZING SPIDER-MAN and MARVEL TALES from one of my cousins but that is the first issue I made the decision to get.  It was Roger Stern's first issue of AMAZING SPIDER-MAN so it was not a bad issue to start with!  It was around issue 211 or 212 before I made the decision to collect AMAZING SPIDER-MAN regularly, though I think I did get all the issues between off the newsstand other than 209, which I must have missed.  Up until that time, I was mostly reading Harvey Comics. 

The JUSTICE LEAGUE issues (leading up to the new DOOM PATROL comic) were things of beauty and definitely did not give the impression of being "rushed". I believe you have previously noted your penciling rate to usually be somewhere in the two to three hour range for a page.  How fast do you think you were going on the JLA pages to finish six in a day?  That's almost magical!


*Technically, my parents did the buying
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Mike Baswell
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Posted: 27 February 2026 at 4:55pm | IP Logged | 10 post reply

When I was younger and didn't understand as much of the production process involved, I'd sometimes mistakenly think a book looked rushed or incomplete, when it was usually more a case of bad scans or bad printing degrading the art.
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Brandon Frye
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Posted: 27 February 2026 at 5:23pm | IP Logged | 11 post reply

I've often wondered if artists who never miss deadlines were automatically considered to be "rushing" simply because they got the work done on time.  After all, if they aren't late it must mean they aren't 'growing roses' and must be putting out crap right?


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Edward Aycock
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Posted: 27 February 2026 at 5:31pm | IP Logged | 12 post reply

I think people who claim they are your fans, but trash JB online confuse "rushed" with "evolving styles" or even just a different look for different projects.   "Next Men" appeared around the same time as "Namor" (Oh man, did I love that zip-a-tone or whatever it was called) and "She Hulk" but had a very different look and feel.  I loved it, but naysayers claim it looked rushed.  These are also the guys who claim JB rushed on FF once he picked up AF and stopped doing backgrounds.  (It's been over 40 years, will they let it go already??)

Rush on!  Any JB look was a delight for me.   I've liked every style, every evolution.  
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